01 / 08
How many artists are currently in your collection?
Count only artists where you hold at least one work.
02 / 08
Where do you primarily acquire work?
Select the channel that represents the majority of your acquisitions.
Directly from galleries — primary market
Auction houses — secondary market
Both primary and secondary equally
03 / 08
What is the average price range of works you acquire?
Think about what you typically spend, not your maximum.
04 / 08
How geographically concentrated is your collection?
Describe where the artists you collect are primarily based or from.
Mostly one country or region
Genuinely international — 4+ countries
05 / 08
At what career stage do you typically acquire?
Think about the majority of your acquisitions, not exceptions.
Emerging — pre-institutional, early gallery
Mid-career — gallery represented, some institutional
Established — strong institutional track record
Blue-chip — secondary market, estate works
06 / 08
What drives your acquisition decisions most?
Be honest — there is no wrong answer here.
Aesthetic response — I buy what I love
Investment potential — price trajectory matters
Both — aesthetic and investment equally
Relationships — gallery or artist recommendations
07 / 08
Have you ever sold a work from your collection?
Including gifting, donating to institutions, or consigning to auction.
Never — I collect to keep
Sometimes — when the right opportunity arises
Actively — I rotate the collection
08 / 08
What is your primary goal for your collection right now?
Select the one that best describes where you are today.
Building — actively acquiring new artists
Deepening — adding works to existing relationships
Evaluating — understanding what I have before buying more
Exiting — considering which works to sell